Orpheum: Eve O’Shea & Hana Odson
Drama Gallery
260 Moore Street #403, Brooklyn, NY 11206
June 27 – July 11, 2025
FULL PRESS RELEASE
CHECKLIST

ARTNET ARTICLE

Greek mythology tells us that Orpheus, master of song, descends into the underworld to retrieve Eurydice from death. Desperate to restore sense to a senseless loss, his song moves Hades and Persephone to grant her return. On the threshold of the upper world, he glances back at Eurydice, lacking blind faith that she follows. His forbidden glance destroys whom he seeks to save, an attempt at control leaving him at a greater loss.

A breakdown in a signifying chain propels new possibilities. With meaning-making under duress, symbolic order cannot be reconstructed without abstraction. Orpheus’s backward glance collapses into immediacy. But music and painting, like magic and mania, map complexity through frameworks to restore coherence. Loss becomes the condition of creation, and creation that of loss.

Orpheum enacts two theories of control. One turns toward the material where representation dissolves, another toward the site where representational systems take hold. In two acts, Orpheum stages a split in subjectification: material faith against symbolic order, embodied desire against operative unconscious. A loss of relation, within and between the two, sets the world in motion.

- Alana Frances Baer



I Can’t (Un)See It
All Street Gallery
New York, NY
March 1 - April 2, 2025
FULL PRESS RELEASE

NEW YORK, NY – All Street Gallery is pleased to present i can’t (un)see it, a group exhibition featuring Patrick Bell, Cecilia Chiappini, Isa Dorvillier, Mira Goodman, Zachary Hill, Kimin Kim, Jared LeClaire, Jesse Mineo, Lilian Mühlenkamp, Eve O’Shea, Thalia Renaker, and Maris Van Vlack. 



Le Salon des Bons Enfants
Good Children Gallery 
New Orleans, LA
December 9 - 7, 2023

Good Children Gallery is pleased to presentLes Salon des Bon Enfants. This juried fundraiser exhibition will feature the work of over 50 artists in the front gallery. The back gallery will feature works by the current members of Good Children Gallery and be a cash-and-carry sale. Opening 6pm to 9pm on December 9th.

Featuring the work of Lillian Aguinaga, Calder Alexander, Rachel Avena, Sarah Jane Bealafeld, Martin Benson, Muffin Bernstein, Josiah Bolth, Carrie Brantley, Luke Brossette, Jessa Bruce, Cori Bush, Angela Calonder, Lauren Cardenas, Virginia Candler, Yvonne Christine, Jim Coffin, Carlos Detres, Hilary Dugas, DiQuan Forcell, Thomas Friel. Julie Glass, Ben Hamburger, Sara Hardin, Rita Harper, Amber Hart, Brent Houzenga, Jim Jipson, Madeleine Kelly, Miles Kinney, Lawrence Lazare, Sarah Lindrew, Katie McCall, Bridget McEnerney, Grace McIntyre-Willis, Darby Miller, Sarah Moschel Miller, Cora Nimtz, Tony Nozero, Eve O'Shea, Anders Parker, Leah Perrotta, Jonathan Peterson, Alexis Pierre, Mimi Pinheiro, Garrett Richardson, Kathy Rodriguez, Tyler Rosebush, Southerly Gold, Magdalena Saliba, Goldie Sylvan, Noelle Tollett, LaVonna Varnado



New Work by Eve O’Shea, Clara Wise, and Claire Schlaikjer
Drama Gallery
260 Moore Street #403, Brooklyn, NY 11206
October 12 - November 4, 2023
Curated by Eve O’Shea
FULL PRESS RELEASE
CHECKLIST


Some shaggy forms are more serious than others. A sudden protrusion makes
fine fractures; a residue builds along a column of air. Deal with the consequences
after the fact, upon hesitation. Uniformity is an absorbent surface, soluble
middle ground. The logic is one of deep privacy, except I was there.
A piece of straw soaked in red punch; a failed eclipse on the Spanish moss.
There is a zone of potential. First of all, the slit in the figure reveals all angles
to be right. In the calcified walls of the city, you may abstain altogether
so long as the water has firm grip. There are several events legible
in the murky surface: an elder awash in a fountain
a horizon protracting into a snout. The sun sets behind a cotton mountain
inverted at a critical moment. It makes an adherence, a cold-cut bandage,
a bloating before a luminous panel. Through hard work and focus
the mind can digest an oppressive teal, and God must be thanked for that
kiss his deflated snout. Describe the memory in a circular motion.
A depthless field rises vertically; even the most calcified forms bloat upon regard.
There is a maligning. There are discrete events—three, four, the heads
of foam interior, blue-freeze fluid. The cat made lively by a wide aperture.
The liveliest animal is born of a strong reduction.

-Tara Sharma



Plot Twist
Drama Gallery
260 Moore Street #403, Brooklyn, NY 11206
Februrary 2022
FULL PRESS RELEASE

Featuring work by Coleman Mummery, Tibby, Shay Galla, Daphne Knouse, Joshua Boulos, Stephan Herrera, Ada Wickens, Nick Jorgensen, Max Haslam, Sam Jorgensen, Kenneth Hobbs, Kyle Wainwright, Zuzia Kiksa, Eleanor McQueeny, Will Hipp, Lena Meginsky, Elizabeth Masterman, Eve O’Shea, George Schatzlein, Sam Wilreneson, Elijah Lajmer, and Olivia Schoenig.



Eve O’Shea and Claire Schlaikjer
List Art Center
1st Floor Gallery
Providence, RI
December 23rd 2019 - January 30th 2020